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Editor’s Introduction to “Old Icons, New Icons” by Mihai Eminescu (available in paperback and Kindle versions)

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Editor’s Introduction Of peasant ancestry on his father’s side and boasting aristocratic (boyar) maternal roots, the Romanian poet, prose writer, and editorialist Mihai Eminescu (1850-1889) had not put his modest inherited wealth to waste. Educated in the German language since childhood, Eminescu was culturally—if not always geopolitically— an enthusiastic Germanophile. As a young man, he had studied in Vienna and in Bismarck’s Prussia, where he had learned Sanskrit and immersed himself in Arthur Schopenhauer’s philosophy. He had also been a student of Eugen Dühring. Eminescu had intellectual precedents in his own country, but he often made radical departures from them. His ideas were influenced by a leading conservative Romanian cultural circle called Junimea, which originally reflected the interests of the old Moldavian boyar class that had been displaced by the liberal bourgeoisie in the nineteenth century. However, there are significant differences between Eminescu’s philoso